Third Annual Retrospective: 1975 Edition
The third Weird Cinema retrospective: 1975 edition … More Third Annual Retrospective: 1975 Edition
The third Weird Cinema retrospective: 1975 edition … More Third Annual Retrospective: 1975 Edition
Part One (200-151) of the top Best Actors of all-time series … More The Top 200 Best Film Actors of All-Time: Part One
Louis Malle’s dissection of the boredom and instability of a modern marriage … More The Lovers (1958): Jeanne Moreau’s Tawdry Playhouse
The life of a contract killer consist of laying around on call or murdering, and the murdering only takes minutes. … More Murder by Contract (1958): Murder in the Mundane
Protagonist:Billy the Kid (played by Paul Newman) Goal (surface):Avenge the murder of his mentor and survive as an outlaw Goal (deeper/psychological):Find belonging and validation; cope with abandonment and betrayal through violence and identity-building Inciting incident:The killing of Tunstall (his father figure), which pushes Billy into revenge and outlaw life Antagonists:Pat Garrett (lawman and former ally), … More The Left Handed Gun (1958): Young Paul Newman’s Explosive Acting
The 2025 Weird Cinema Film Awards … More 10th Annual Weird Cinema Awards: 2025 Edition
The ninth annual Weird Cinema Awards for 2024. … More Ninth Annual Weird Cinema Awards: 2024 Edition
‘Queer’ is unhinged Luca Guadagnino. Following a loitering, pathetic queer man looking for sex at any cost. He desperately needs companionship and ends up developing an honest relationship with a young man, Eugene (Drew Starkey, but the story ends up a more interpersonal journey of self-discovery for both characters. … More Daniel Craig is at his best in Luca Guadagnino’s ‘Queer’
The depth of a man’s heart is captured in the creative process of acting. The cathartic power of letting go and vulnerability. It’s a film that reaches through only a place of love and tenderness into a world of pain and sorrow, endless, everyday sorrow. It’s a magnificently warm story of men, sharing complete openness with one another. … More ‘Sing Sing’ is poetry in motion
The depths of Pansy’s (Marianne Jean-Baptiste) neuroticism and narcissism is captured in such a raw state by Jean-Baptiste’s masterful performance. Awe-inspiring, tour-de-force as the tornado that barrels through every situation. A Mike Leigh script that sits down and asks the difficult questions of why so much anger and pain. Leigh, subtly but effectively showcases what has made Pansy one of the most spittingly bitter characters in film history. … More Mike Leigh and Marianne Jean-Baptiste a perfect pairing: Hard Truths Review (2024)
The massive scale of Brady Corbet’s vision captures the uncompromising brilliance of a deeply flawed and traumatized individual down to a character study level … More ‘The Brutalist’ is an epic piece of small-scale storytelling