Murder by Contract (1958): Murder in the Mundane
The life of a contract killer consist of laying around on call or murdering, and the murdering only takes minutes. … More Murder by Contract (1958): Murder in the Mundane
Certified Weird Cinema
The life of a contract killer consist of laying around on call or murdering, and the murdering only takes minutes. … More Murder by Contract (1958): Murder in the Mundane
The 2025 Weird Cinema Film Awards … More 10th Annual Weird Cinema Awards: 2025 Edition
The third Weird Cinema retrospective: 1975 edition … More Third Annual Retrospective: 1975 Edition
The ninth annual Weird Cinema Awards for 2024. … More Ninth Annual Weird Cinema Awards: 2024 Edition
The depths of Pansy’s (Marianne Jean-Baptiste) neuroticism and narcissism is captured in such a raw state by Jean-Baptiste’s masterful performance. Awe-inspiring, tour-de-force as the tornado that barrels through every situation. A Mike Leigh script that sits down and asks the difficult questions of why so much anger and pain. Leigh, subtly but effectively showcases what has made Pansy one of the most spittingly bitter characters in film history. … More Mike Leigh and Marianne Jean-Baptiste a perfect pairing: Hard Truths Review (2024)
In his work and life, Lynch exemplified unfiltered authenticity as if every word or scene came from his soul. When he talks about transcendental meditation, he speaks about an ocean of unconscious thought and how ideas come from this ocean. He speaks as a fisherman who catches ideas as they come into the subconscious mind. He brings this ocean to Twin Peaks: The Return as Cooper is trapped here. … More The American Surrealist: David Lynch
Robert Eggers has a true affinity for the 1922 version of Nosferatu. Egger’s modernizes FW Murnau’s vision visually and narratively to accentuate the brutish, limp Romania Count that possesses incredible supernatural powers. In terms of atmospherics, it has to be … More The Right Story at the Right Time for Robert Eggers: Nosferatu (2024)
Gleeful black-and-white indie cinema made for no less than $7,000. With limited cash flow, director Ryland Birckson Cole-Tews leans on his slapstick humor to tell a condensed story, but even then, some visual sequences of montage consist of fantastical psychedelic images and practical effects help fill out this movie. Cole-Tews, as director and star, leads … More Lake Michigan Monster (2022) a Midwestern Weird Gem
Andrea Arnold’s best feature. Bird. It is a raw and powerful telling of a young girl (Nykiya Adams) getting lost in other people’s lives … More Bird (2024) Serves as Andrea Arnold’s Best Film
What is sold as a surrealist experience, a regular mother descends the dark rabbit hole of transitioning species but the premise fails to build on that concept … More Nightbitch (2024) fails to build on a promising premise