ASC 2022 Nominees – Nightmare Alley and Tragedy of Macbeth land nominations

In the past, the group has awarded the spectacle or artistically driven films, meaning gasping wide-shots and a strong visual component to the overall storytelling, win the award. For instance, Erik Messerschmidt winning for Mank in possibly the weakest year for cinematography ever, was due to Fincher emphasizing the eye-catching compositions. He would go on to win the Oscar… … More ASC 2022 Nominees – Nightmare Alley and Tragedy of Macbeth land nominations

Oscar Awards Roundup: Biggest Critics Winners

The Best Picture race is starting to shape with the release of critics choice and Golden Globe nominations. Many of the largest and most influential regional critics awards have already come and gone. At this point, we’re in the full swing of Award season and it’s time to determine the frontrunners before the real precursors begin. 
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CERTIFIED WEIRD: Paul Verhoeven’s Benedetta a triumph of provocation

Paul Verhoeven always creates lived-in worlds and his retelling of Saint Benedetta’s life in the Catholic church is PURE Verhoeven. Impending darkness presiding over a sexual awakeneing, provoking the audience with every subsequent scene. It’s a beautiful rendering of sexual freedom through the guise of religious restriction. It’s violent and bloody. Apocryphal and full of juicy drama. Plus, filled with damning religious imagery and powerful metaphors. What we’re left with is one of Verhoeven’s best films.
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The 26th Annual Satellite Award Nominations – Belfast, Dune and The Power of the Dog show Strength

The 26th annual Satellite Award nominations are here. The internationally based awards body has a decent to obtuse track record of matching up with the Oscars. Chloe Zhao walked away with director and picture last year, but in 2019, Ford V. Ferrari won best Drama. It’s a mixed bag. … More The 26th Annual Satellite Award Nominations – Belfast, Dune and The Power of the Dog show Strength

C’mon C’mon, Man. C’mon, C’mon, Man — a beautiful depiction of what adults can mean to a child

C’mon C’mon, a film from Mike Mills, presents an empathetic portrayal of a healthy child-adult relationship. It’s a film that thematically and structurally, shows the importance of perspective and seeing through the eyes of others. The Mills screenplay is framed through the profession of Joaquin Phoenix’s character (Johnny), a traveling radio journalist creating a project on the many different perspectives of kids throughout the United States. 
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The Adult Specialty Audience is DEAD

I’m back again, decrying the slow decay of the cinema, as another weekend has passed and the only movies that were seen by human eyes had the artificial glare of nostalgia attached. As if the only films worth paying for these days are one’s that allow you to talk about the original show or film in the car ride home, without having to think about the film they just watched. … More The Adult Specialty Audience is DEAD