Martin Scorsese captures the anger in the zeitgeist once again with ‘Killers of the Flower Moon.’ Projecting the type of American unrest and intensely uneasy feeling that persists. In one of Marty’s most invasive, deeply personal pictures, he personally signs his name with the closing of the film. Speaking to the weight behind this narrative and not undermining it with the dramatics of the picture. He emphasizes the suffering and most importantly, that nothing is seen nor heard and these ideologies continue to live on into the future … More Martin Scorsese captures the anger floating in the zeitgeist with “Killers of the Flower Moon”